∙ Coin (make crypto with the app minning coin): Referral click here (you will get 1000 coin) - Non Referral click here ∙ Honeygain (make money with your unused internet): Referral click here (you will get 5$) - Non Referral click here Want to earn crypto/money easily with your cellphone? Also updated for digital, the character family has been adapted to the new standard open type. This version includes extended support for languages (Central European, Baltic, Turkish, Welsh, Archaic Danish, Cyrillic and Greek). In 2001 Berthold completed the typeface by adding weights: Light Italic, Super Italic, Light Condensed, Condensed, Medium Condensed, Extra Bold Italic, Light Long Italic, Extended Italic and Extended Medium Italic.Īkzidenz Grotesk Pro was released in May 2006. Berthold therefore adds, under the direction of Günter Gerhard Lange, the Medium Italic weight in 1963, ExtraBold in 1966, Italic in 1967, ExtraBold Condensed and Italic as well as Super in 1968. Berthold foundry, began the project to expand the Akzidenz Grotesk character family while keeping the particular characteristics of the font. In the 1950s, Günter Gerhard Lange, then artistic director at H. In some English speaking countries, it was also sold as "Standard", or "Basic Commercial". This gives it a clarity that sets it apart, especially combined with the absence of embellishments present in several decorative typefaces of the time, inspired by the Art Nouveau which was then raging. Like most sans serifs, Akzidenz Grotesk has a monoline structure, that is, that each of its strokes is of similar width. It was widely used and influential as part of the International style, also known as Swiss Design, in the 1950s and 1960s.
Akzidenz means commercial, indicating that the use intended for it was rather advertising than literary or craft. It became one of the most popular examples of this style for its simple and neutral design. It was the first sans sérif font to be globally used, moreover it inspired several typefaces after the 1950s, such as Helvetica, Univers, Folio and Arial.Īkzidenz Grotesk belongs, as its name suggests, to the grotesque lineal lines, a tradition of all-purpose, unadorned typefaces that were dominant in German printing in the 19th century.
It was then published in 1898 by Berthold in Berlin with the official name we know today, Akzidenz Grotesk.Īkzidenz Grotesk was the first family of extended and coordinated sans serif character to offer perfectly calibrated weights. Originally designed by character designer Ferdinand Theinhardt under the name Royal Grotesk light, the font changed its name to Akzidenz Grotesk and was added the weight Regular, Medium and Bold following the merge of the Theinhardt foundry and the H. *posters & specimen * click to enlarge History
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